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Female Cyborgs, Gender Performance, and Utopian Gaze in Alex Garland’s Ex Machina

2020

The cyborg as a metaphor for cultural encodings of the interaction between humans and technology has been an accepted trope since the publication of Donna Haraway’s “Cyborg Manifesto.” Alex Garland’s 2015 film Ex Machina shares many of its key themes and motifs with earlier science fiction films, from Fritz Lang’s Metropolis to Ridley Scott’s Blade Runner. A first viewing of the film thus suggests an interpretation that focuses on the film’s portrayal of its female cyborgs Ava and Kyoko as another version of the “pleasure model” in the mode of Lang’s Maria or Scott’s Pris. However, it is the tension between Ava’s intelligence and visual attractiveness and her performance of a female gender …

AttractivenessDonna Harawayfemale cyborgMetaphorInterpretation (philosophy)media_common.quotation_subjectTrope (literature)Identity (social science)Art historyArtGazePleasureEx Machinahomework economyEncoding (semiotics)science fiction filmmedia_commonZagadnienia Rodzajów Literackich
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